eso | 復古未來主義&混搭折衷主義

2020-05-29 58

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A PLACE DAUPHINE HOME

在塞納河的中心,巴黎的城市之島,坐落著Pietro Russo對Dauphine住宅的前衛改造。坐落一箭之遙從巴黎圣母院、巴黎最古老的橋,新橋》,寬敞的公寓俯瞰一個三角公園設計在400多年前,由亨利四世,廣場周邊建筑的布局改變了17世紀以來《盜夢空間》,前者商家和平民中心現在是一個田園詩般的公園,迷人的餐廳,藝術畫廊,和高檔住宅地產。
away in the center of the Seine on Paris’ ?le de la Cité, lies Pietro Russo’s avant-garde transformation of a Place Dauphine home. Situated just a stone’s throw from Notre Dame Cathedral and Paris’ oldest bridge, Pont Neuf, the spacious apartment overlooks a triangular park designed over 400 years ago by Henri IV. While the layout of the square with its surrounding buildings has changed little since its 17th century inception, the former merchant and commoner hub now serves as home to an idyllic park, charming restaurants, art galleries, and prime residential real estate.

設計師Pietro Russo通過豐富的場地歷史和住宅業主的精致品味和興趣,建立了相鄰公園的三角形作為項目的主題
by the rich history of the site and the refined tastes and interests of the home’s owners, designer Pietro Russo established the triangular shape of the adjacent park as the leitmotif of the project.

進入客廳,客人可以看到一個雕塑般的壁爐,壁爐由擠壓的石膏三角形組成,頂部鑲有黃銅。考慮到這種風格源自法國,這種裝飾藝術風格的圖案給人的感覺就像在家里一樣。一個次要的,不那么令人期待的,壁爐靈感來源于卡羅斯卡帕的布里恩公墓——一個以其復雜的建筑細節而聞名的地方,它邀請了光和形式的相互作用。
entry to the living room, guests are treated to a sculptural fireplace comprised of extruded plaster triangles tipped in brass. This Art Deco inspired pattern feels right at home given the style’s French origins. A secondary, less expected, source of inspiration for the fireplace was derived from Carlo Scarpa’s Brion Cemetery – a site celebrated for its intricate architectural detailing that invites the interplay of light and form.

在三角形的邊緣,魯索選擇了Nika Zupanc設計的兩張胖胖的椅子,以及內莎·克羅斯蘭(Neisha Crosland)設計的斑馬紋天鵝絨沙發。一對圓頂的Attolo臺燈,一組圓形的GamFratesi TS桌子,還有一個Pietro Russo銀杏架子,使房間更加圓潤。
the triangular edges, Russo selected two plump chairs by Nika Zupanc and a matching sofa upholstered in Neisha Crosland’s Zebra Cut Velvet. A pair of domed Attolo table lamps, a collection of circular GamFratesi TS Tables, and a Pietro Russo Ginko shelf unit further round out the room.

房間擁有一個折衷的混合風格和紋理開始與永恒的雪佛龍地板,一個暴露的梁天花板和經典鑲板墻壁。相比之下,家具的設計則圍繞著一種“復古未來主義”的美學,由Russo的玻璃和黃銅無人機吊墜以及靈感來自上世紀70年代太空探測器的十面Dauphine桌子推動。沿著遠處的墻壁,一個原始的壁龕被重新設計,用玻璃架子和一個分層的抽屜柜覆蓋著淺色的木頭和深灰色的石頭——材料延伸到附近的廚房。
room boasts an eclectic mix of styles and textures beginning with timeless chevron floors, an exposed beam ceiling and classic paneled walls. In contrast, the furnishings center around a “retro-futuristic” aesthetic, driven by Russo’s glass and brass Drone Pendant and ten-sided Dauphine Table inspired by space probes of the 1970s. Along the far wall, an original niche was reworked with glass shelving and a tiered chest of drawers clad in pale wood and and dark grey stone – a material segue to the galley kitchen just around the corner.

被分割成兩個功能區——沿一面墻的工作臺面和水槽,沿另一面墻的櫥柜和電器。輕木貼面與三角形雕刻標記櫥柜,而連續的深灰色大理石擁有相似的細節,在不斷探索的光,陰影和形式。
is split into two functional areas – the work surface and sink along one wall, and cabinetry and appliances along the other. A light wood veneer with triangular engravings mark the cabinetry while continuous swaths of dark grey marble boast similar detailing in an ongoing exploration of light, shadow and form.


臥室延續了房屋突出的三角形主題——這次以壁櫥門的窗簾狀背景為形式。這個“墻”由精心打褶的木材制成,由長黃銅把手打斷,與Russo定制的梳妝臺/隱藏電視系統進行對話。藝術與功能的戲劇結合。
bedroom continues the home’s extruded triangle motif – this time in the form of a curtain-like backdrop of closet doors. This ‘wall’ of finely pleated wood is punctuated by long brass handles that dialogue with a custom made vanity / concealed TV system by Russo. A theatrical mix of artistry and function.

沉浸在設計歷史中,這座城市島嶼住宅巧妙地模糊了藝術和建筑之間的界限,既創新又永恒。
so steeped in design history, this urban island home masterfully blurs the boundaries between art and architecture in ways that are equal parts innovative, and timeless.

A RMGB TRANSFORMATION 

一座19世紀的聯排別墅俯瞰凡爾賽宮,這是RMGB工作室最新的室內杰作。該項目標志著遺產繼承人的復興,他帶著妻子和孩子離開巴黎,回到他兒時的家。
a 19th century townhouse overlooking the Palace of Versailles lies RMGB studio’s latest interior masterpiece. The project marks a renaissance of sorts for the property’s heir as he leaves Paris with wife and children to return to his childhood home.
建筑師紀堯姆·吉伯特(Guillaume Gibert)和巴普蒂斯特·里希曼(Baptiste Rischmann)設計的建筑,其首要任務是進行細致的修復。這意味著剝離了幾個世紀的調整,以揭示住宅的原始形式。一旦暴露——一個精心的防御工事和重建的過程賦予了原始的細節新的生命,從石膏板到可愛的倒置匈牙利點拼花地板。


by architects Guillaume Gibert and Baptiste Rischmann, the first priority was one of meticulous restoration. This meant a stripping back of centuries of adjustments to reveal the home’s original form. Once laid bare – a careful process of fortification and re-creation breathed new life into original details, ranging from plasterwork to a beloved inverted Hungarian point parquet floor.



根植于元格對建筑、精致工藝和大膽圖形美學的熱愛。出于對現有建筑的尊重,兩人選擇了不受束縛的定制盒子,而不是更具侵入性的內置件。在客廳,一個獨立的餐具柜參考了經典的建筑主題和它的凹槽細節。腳下的空間是由RMGB設計的定制羊毛地毯,克里斯托弗·德爾科特(Christophe Delcort)設計的彎曲沙發,以及霍斯特·布魯寧(Horst Bruning)設計的一對裝飾華麗的復古扶手椅,都凸顯了尖銳的邊緣。


was rooted in RMBG’s passion for architecture, fine craftsmanship and a bold graphic aesthetic. Out of reverence for the existing architecture, the duo opted for untethered custom case pieces instead of more intrusive built-ins. In the living room a freestanding sideboard references classic architectural motifs with its fluted detailing. Underfoot, the space is grounded by a custom wool rug designed by RMGB while a curved sofa by Christophe Delcort rounds out the sharp edges, as do a pair of plushly upholstered vintage armchairs by Horst Brüning.


對獨立的家具的偏愛取代了嵌入式家具,它一直延伸到廚房,那里有一個定制的不銹鋼櫥柜,里面隱藏著廚房的電器。相比之下,自由站立的卡拉卡塔中提琴島是左前方和中心-平等的部分雕塑和功利。


preference for free standing furnishings in place of built-ins carries through to the kitchen where a bespoke stainless steel cabinet conceals the kitchen’s appliances. In contrast, a free standing Calacatta Viola island is left front and center – equal parts sculptural and utilitarian.


餐廳最近與廚房相連。空間圍繞著一個定制的涂漆鋼底座的熔巖石桌。一幅羅杰·莫爾(Roger Muhl)的綠色掛毯與外面的花園形成了一種對話,威利·里佐(Willy Rizzo)設計的一組柔和的綠色椅子以一種70年代的風格完成了這一不偏不倚的組合。


dining room sits newly connected to the kitchen. The space centers around a bespoke lava stone table with lacquered steel base. A verdant Roger Mühl tapestry hangs in dialogue with the garden just outside, while a set of muted green chairs by Willy Rizzo complete the eclectic assemblage with a dose of 70s edge.


臥室是所有大膽的顏色和圖形形式與一個引人注目的藍色調色板的靈感來自弗朗索瓦絲彼得羅維奇2017年的繪畫,夜曲。彎曲的床頭板也受到了類似的啟發,但它是由讓·羅耶(Jean Royere)在上世紀50年代設計的家具。在相鄰的主浴室中,兩面拱形鏡子似乎參考了凡爾賽宮標志性的鏡廳,而在下面,黑色石板以同樣的強度平衡幾何形狀。


bedroom is all bold color and graphic form with a striking blue palette inspired by Fran?oise Pétrovitch’s 2017 painting, Nocturne. The sinuous headboard was similarly inspired, but by an 1950s work of furniture design by Jean Royère. In the adjoining master bath two arched mirrors seem to reference Versailles iconic hall of mirrors while beneath, slabs of black stone balance the geometry with equal strength.


在曼哈頓上西城,標志性的哥特式建筑西區大道555號已經被卡里·塔馬爾金(Cary Tamarkin)改造成了一系列豪華公寓。最初建于1908年,其大膽的立面和廣闊的窗戶結合了一個新的樓層計劃,創造了復古和現代的融合。這次徹底的裝修激發了設計師查理·費勒(Charlie Ferrer)設計他的第一套模特公寓的靈感。

away on Manhattan’s Upper West Side, the iconic Gothic building at 555 West End Avenue has been redeveloped by Cary Tamarkin into a clutch of luxury apartments. Originally built in 1908, its bold facade and expansive windows combine with a new floor plan to create a fusion of vintage and modern. This radical renovation inspired designer Charlie Ferrer to take on his first model apartment.

藝術,公寓感覺溫暖,住在里面,有一個收藏家的個人觸摸。藝術點滴每一個表面,其中大部分來自費雷爾的個人收購。紅色、白色和富饒的森林的限制調色板允許作品的微妙、雕塑的形狀引起注意。


art, the apartment feels warm and lived in, with the personal touch of a collector. Art dots every surface, much of it from Ferrer’s personal acquisitions. The restrained palette of reds, whites and rich woods allows the subtle, sculptural shapes of the pieces to command attention.


舒適的客廳和餐廳的結合既簡單又時尚。一個折衷的選擇,復古家具呼吸到大房間的生活,與皮革,天鵝絨和木材創造紋理層。費勒的私人朋友、交易商帕斯卡爾·博耶爾(Pascal Boyer)收集了很多家具,比如一把上世紀70年代的法國拖鞋椅,它有不銹鋼邊和煮過的羊毛內飾。


yet comfortable, the combined living and dining room is both easy and stylish. An eclectic selection of vintage furniture breathes life into the grand room, with leather, velvet and wood creating layers of texture. Many pieces were gathered from Ferrer’s personal friend, dealer Pascal Boyer, such as a 1970s French slipper chair that pairs stainless steel sides and boiled wool upholstery.



朝著廚房走去,你可以看到克里斯托弗·皮科克(Christopher Peacock)的白橡木和大理石櫥柜。這兩種自然質感主導了整個房間,平衡了經典的優雅和豐富的溫暖。


towards the kitchen, one finds wall-to-wall white oak and marble cabinets by Christopher Peacock. The two natural textures dominate the room, balancing classic elegance and rich warmth.



作為一個家庭,費雷爾設想了兩間共用的臥室。懷特和伍茲的主題為引人注目的物品提供了空間,例如一把小巧的中世紀椅子和一輛從CB2改裝成別致書桌的滾動推車。一張定制的雙層床匯集了費雷爾對公寓的憧憬,公寓可以同時成為一個藝術圣地和一個繁華的家。


a family, Ferrer has imagined two shared bedrooms. The theme of whites and woods lend space to eye-catching objects such as a petite mid-century chair and rolling cart repurposed into a chic desk from CB2. A custom bunk bed brings together Ferrer’s vision of an apartment that could at once be an art sanctuary and a bustling home.



主臥室是豪華的,占據了整個空間。幾何藝術充滿了墻壁,而一個玻璃吊燈掛在床腳。靠墊和毯子上的毛皮裝飾是一種奢華,與老式的丙烯酸咖啡桌形成鮮明對比。這些都是眼光敏銳的購物者所喜愛的物品,因為這些物品都是費雷爾自己的,創造了一個他個人想要居住的空間。


overwhelming the space, the master bedroom is sumptuous. Geometric art fills the walls while a glass chandelier hangs by the foot of the bed. Fur accents, in throw pillows and blankets, are a drop of luxury and contrast a vintage, acrylic coffee table. These are the well-loved objects of a discerning shopper with a wide-ranging eye—the result of the many pieces being Ferrer’s own, creating a space where he, personally, would want to live.



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